Showing posts with label Warriors. Show all posts
Showing posts with label Warriors. Show all posts
Sunday, October 12, 2008
Tuesday, April 22, 2008
The Price Of Flight Is Weight And Size
I'm writing up a post about the Suns' and the Nuggets' defensive psychoses, but it won't be here until tomorrow. In the meantime, check out something I wrote in jubilation last year after the Warriors whupped up on the Mavericks. For old time's sake. (I'm crying inside.) This is barely readable, incidentally.
I took a class on the history of music in the 20th century last summer. It was taught by the smartest man I've ever met, and was the best class I've ever taken. Most of the classes in the program are full of in-jokes and bonding, memories and irreplicable moments - not this class. We never talked to each other. We were too fascinated by what we were learning to manufacture in-jokes and make deep, lasting friendships. In that, our class was unique among all the classes there. And what we learned was unique. We didn't learn about the evolution of rock and roll through blues and R&B. We learned about the evolution of Expressionism through reaction to Impressionism. We learned about the influence of Wagner on Slayer and of Edgard Varése on Frank Zappa. Louis Armstrong? No. Herbie Hancock. Not Elvis - bebop. Dada and musique concréte. Mainstream, classic? No. Reactionary and revolutionary. Everything in art is in reaction to something else, and art is what you make it. Art is expression - Der Bleu Reiter. Art is blank - Fountain. Art is what you say it is. What's important is what's different, audacious, what wants to change for the sake of change, for the sake of art itself.
Anyone can follow rules and make beautiful things. Anyone can lay their emotions along set patterns, their talents inside set paths. Those outside the lines, those who follow their own way - they are the only ones worth learning about, the only art that matters. Why play piano with your fingers when you can slam the keys with your fists, your forearms, your head, just to hear what it sounds like? Why play one song at a time when you can play four? Why play an instrument the way it's always been done, when you can use it in completely new and different ways? Why accept the limitations of modern technology recording when you can create it anew? That's truly the heart of it - there's no reason to accept limitations when you can create new ways. There's no reason to do something the way it's always been done, just because it's the way it's always been done. Play the piano's strings like it's a huge, horizontal harp. Play multiple tape loops at once, taking advantage of tape's mechanical flaws to create new music altogether. Play artillery as percussion. Play anything, any way - just play. React, or create something entirely new. That's what we learned.
Thus, the Golden State Warriors. Lost in the excitement of their upset of the greatest team in the NBA, masked by the fact that so few people in the wider basketball community have seen them play, is how completely unique they, as a team, are. Basketball players, when they're young, are taught how to play. Don't shoot over a taller defender. That's dumb. Don't shoot if there's nobody there for a rebound. That's dumb. Set plays, run your offense the way you've been taught. There are specific rules, specific roles, and that's the way the game is played. And yet, and yet. Golden State refuses to play that game.
They're all in the same height range, roughly, midsized, plus a skinny seven-foot Latvian kid. Rules and roles don't matter They shoot, shoot, shoot, run, run, run, and damn the consequences. They are helter-skelter beauty in basketball form. You can shoot seven-for-seven from three, or sixteen-for-thirty-five. GSW knows what will get you more points, even if other teams refuse to take that many chances. No one else would pull up on a fast break and shoot the three, with no one under the basket to catch the rebound. No one else would get the ball on a second pass of a possesion, with no play set, and run into four confused defenders for a spectacular dunk. This is revolution. Why wait until you're open to shoot when you're taller than your defender? Why fear taller defenders when you're faster than them? There's a way to play, but there's more than one way to win. You win on your superstars, or you win on the brilliance of your coaching, one of the two. No. You win on stifling defense, on clock management, on perfectly set and executed plays. No, fuck that. Fuck skill and coaching. Win on exuberance, and speed, and talent, and shooting, shooting, shooting.
The difference between Golden State and the Dallas Mavericks, between them and every team in the league, is that they just don't care. They don't care about who they're playing, where they're playing, or how they're supposed to play. They are Dada, without the self-conscious individualism. They are a teenaged Frank Zappa, listening to Ionisation over and over, not understanding why his friends don't understand or care. They are Patti Smith or the Stooges, and Dallas is Deep Purple. They are bebop jazz and the basketball establishment is Tie A Yellow Ribbon 'Round the Old Oak Tree. Golden State knows the price of flight, and it's weight and size. The revolution begins now.
I took a class on the history of music in the 20th century last summer. It was taught by the smartest man I've ever met, and was the best class I've ever taken. Most of the classes in the program are full of in-jokes and bonding, memories and irreplicable moments - not this class. We never talked to each other. We were too fascinated by what we were learning to manufacture in-jokes and make deep, lasting friendships. In that, our class was unique among all the classes there. And what we learned was unique. We didn't learn about the evolution of rock and roll through blues and R&B. We learned about the evolution of Expressionism through reaction to Impressionism. We learned about the influence of Wagner on Slayer and of Edgard Varése on Frank Zappa. Louis Armstrong? No. Herbie Hancock. Not Elvis - bebop. Dada and musique concréte. Mainstream, classic? No. Reactionary and revolutionary. Everything in art is in reaction to something else, and art is what you make it. Art is expression - Der Bleu Reiter. Art is blank - Fountain. Art is what you say it is. What's important is what's different, audacious, what wants to change for the sake of change, for the sake of art itself.
Anyone can follow rules and make beautiful things. Anyone can lay their emotions along set patterns, their talents inside set paths. Those outside the lines, those who follow their own way - they are the only ones worth learning about, the only art that matters. Why play piano with your fingers when you can slam the keys with your fists, your forearms, your head, just to hear what it sounds like? Why play one song at a time when you can play four? Why play an instrument the way it's always been done, when you can use it in completely new and different ways? Why accept the limitations of modern technology recording when you can create it anew? That's truly the heart of it - there's no reason to accept limitations when you can create new ways. There's no reason to do something the way it's always been done, just because it's the way it's always been done. Play the piano's strings like it's a huge, horizontal harp. Play multiple tape loops at once, taking advantage of tape's mechanical flaws to create new music altogether. Play artillery as percussion. Play anything, any way - just play. React, or create something entirely new. That's what we learned.
Thus, the Golden State Warriors. Lost in the excitement of their upset of the greatest team in the NBA, masked by the fact that so few people in the wider basketball community have seen them play, is how completely unique they, as a team, are. Basketball players, when they're young, are taught how to play. Don't shoot over a taller defender. That's dumb. Don't shoot if there's nobody there for a rebound. That's dumb. Set plays, run your offense the way you've been taught. There are specific rules, specific roles, and that's the way the game is played. And yet, and yet. Golden State refuses to play that game.
They're all in the same height range, roughly, midsized, plus a skinny seven-foot Latvian kid. Rules and roles don't matter They shoot, shoot, shoot, run, run, run, and damn the consequences. They are helter-skelter beauty in basketball form. You can shoot seven-for-seven from three, or sixteen-for-thirty-five. GSW knows what will get you more points, even if other teams refuse to take that many chances. No one else would pull up on a fast break and shoot the three, with no one under the basket to catch the rebound. No one else would get the ball on a second pass of a possesion, with no play set, and run into four confused defenders for a spectacular dunk. This is revolution. Why wait until you're open to shoot when you're taller than your defender? Why fear taller defenders when you're faster than them? There's a way to play, but there's more than one way to win. You win on your superstars, or you win on the brilliance of your coaching, one of the two. No. You win on stifling defense, on clock management, on perfectly set and executed plays. No, fuck that. Fuck skill and coaching. Win on exuberance, and speed, and talent, and shooting, shooting, shooting.
The difference between Golden State and the Dallas Mavericks, between them and every team in the league, is that they just don't care. They don't care about who they're playing, where they're playing, or how they're supposed to play. They are Dada, without the self-conscious individualism. They are a teenaged Frank Zappa, listening to Ionisation over and over, not understanding why his friends don't understand or care. They are Patti Smith or the Stooges, and Dallas is Deep Purple. They are bebop jazz and the basketball establishment is Tie A Yellow Ribbon 'Round the Old Oak Tree. Golden State knows the price of flight, and it's weight and size. The revolution begins now.
Sunday, February 17, 2008
Phoenix-Red Simplicity, Enshrined In That Not Extinguished Fire
The problem with describing basketball is that to be specific is to rob the description of its meaning. The stories of basketball are universal, eternal; to describe this hard-luck story, this single mother raising her tall skinny son to stay away from drugs and gangs, this nice boy from across the cornfields, is to take away that part of its power. But here I will be specific, and detail the most beautiful game I've seen in a very long time: the game between Phoenix and the Warriors.
It seems that Golden State is involved in a lot of these pretty games. And it's not hard to see why - if basketball is about speed, and skill, and shooting, and .0001 percent of humanity athleticism, then Phoenix is the epitome of basketball. And if that is so, then Golden State is the epitome of Suns basketball. (Plus a large helping of absurdity, an insane fanbase, and some of the best stories/tattoos in the league.) The Warriors are basketball in its purest form, and the Suns are close behind; and this was, therefore, the best game of the season, without a doubt.
When the Warriors are on, they are on. They're so on that they burn. When Stephen Jackson is pulling up threes in opponent's faces - when Baron Davis is hitting every shot he tries - when Monta Ellis is too fast to see, and Matt Barnes is making saves that seemed impossible - when Boom and Stack Jack and Matt Barnes are all getting technicals, not to mention Nelly - when Kelenna and the rooks are being exciting, and when Andris Biedrins is pulling in rebounds - rebounds! - it's every tired cliche possible to make. It's a circus, it's a choreographed dance, it's ridiculousness in basketball form, it's basketball the way it was always meant to be played. And the Suns, well. They're pretty good too.
There were times, in that game, when there wasn't a single player on the floor over six foot eight. In the same way that being separated from a lover will let one realize that one wasn't much in love to begin with, it's games like this that cause a spectator to think - Well, what's so great about big men anyway? Imagining Chris Webber (much as I adore him) and Shaq in that game - perhaps waiting under opposite baskets as the other players race by, glowering at each other from across the court and waiting for their turns to rebound and block shots - gave me, honestly, chills. No, this wasn't the National Basketball Association: this was basketball. This was five guys against five guys and see who scores more points. This was short-shorts and Julius Erving and only the showiest kind of D. This was perfect.
As interesting as the show the clicking, churning Warriors put on, as they always do, was the ongoing flux of the Suns. Are they, perhaps - heretical as it may be - better without Shawn Marion? Shaq will not, ultimately, make them much better, at least as far as basketball goes. But they played some of their best ball without Amare, and maybe they'll play better without the Matrix. Maybe Boris will remember that he's good at basketball, and try shooting sometimes; maybe Grant Hill will find his old glory; maybe Steve Nash's back will stay in one piece for that last half of the season. Maybe Brian Skinner will grow some hair and dye it purple, to go with that beard of his. Who knows? I want Steve to get his ring. And I hope that he gets it this year, while he can still stand up - even if it means that Iverson doesn't get it, or Jason Kidd, or Dirk, or any of the numerous others who should but don't. Maybe the Big Cactus, the Big Gaseous Body, the Big Knee Injury Waiting To Happen, can get Steve that ring. Or maybe the absence of Shawn will do it.
But that's half a season away; all one can pray for now is a playoff series between the Suns and the Warriors. The implications of that thought are, truly, goose-bump inducing.
It seems that Golden State is involved in a lot of these pretty games. And it's not hard to see why - if basketball is about speed, and skill, and shooting, and .0001 percent of humanity athleticism, then Phoenix is the epitome of basketball. And if that is so, then Golden State is the epitome of Suns basketball. (Plus a large helping of absurdity, an insane fanbase, and some of the best stories/tattoos in the league.) The Warriors are basketball in its purest form, and the Suns are close behind; and this was, therefore, the best game of the season, without a doubt.
When the Warriors are on, they are on. They're so on that they burn. When Stephen Jackson is pulling up threes in opponent's faces - when Baron Davis is hitting every shot he tries - when Monta Ellis is too fast to see, and Matt Barnes is making saves that seemed impossible - when Boom and Stack Jack and Matt Barnes are all getting technicals, not to mention Nelly - when Kelenna and the rooks are being exciting, and when Andris Biedrins is pulling in rebounds - rebounds! - it's every tired cliche possible to make. It's a circus, it's a choreographed dance, it's ridiculousness in basketball form, it's basketball the way it was always meant to be played. And the Suns, well. They're pretty good too.
There were times, in that game, when there wasn't a single player on the floor over six foot eight. In the same way that being separated from a lover will let one realize that one wasn't much in love to begin with, it's games like this that cause a spectator to think - Well, what's so great about big men anyway? Imagining Chris Webber (much as I adore him) and Shaq in that game - perhaps waiting under opposite baskets as the other players race by, glowering at each other from across the court and waiting for their turns to rebound and block shots - gave me, honestly, chills. No, this wasn't the National Basketball Association: this was basketball. This was five guys against five guys and see who scores more points. This was short-shorts and Julius Erving and only the showiest kind of D. This was perfect.
As interesting as the show the clicking, churning Warriors put on, as they always do, was the ongoing flux of the Suns. Are they, perhaps - heretical as it may be - better without Shawn Marion? Shaq will not, ultimately, make them much better, at least as far as basketball goes. But they played some of their best ball without Amare, and maybe they'll play better without the Matrix. Maybe Boris will remember that he's good at basketball, and try shooting sometimes; maybe Grant Hill will find his old glory; maybe Steve Nash's back will stay in one piece for that last half of the season. Maybe Brian Skinner will grow some hair and dye it purple, to go with that beard of his. Who knows? I want Steve to get his ring. And I hope that he gets it this year, while he can still stand up - even if it means that Iverson doesn't get it, or Jason Kidd, or Dirk, or any of the numerous others who should but don't. Maybe the Big Cactus, the Big Gaseous Body, the Big Knee Injury Waiting To Happen, can get Steve that ring. Or maybe the absence of Shawn will do it.
But that's half a season away; all one can pray for now is a playoff series between the Suns and the Warriors. The implications of that thought are, truly, goose-bump inducing.
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